A commissioned piece of original artwork for a client that I drew which incorporates various elements of strength (as chosen by the client). It also illustrates that even in dark times a light will come shining through.
I'm sad that Batgirl was only featured in Batman & Robin -- not only a terrible Batman movie, but a terrible MOVIE altogether. We need more Batgirl. In the meantime, here's some elaborately shaved chest hair to hold you over.
28/06/17 - one example of June - one drawing a day challenge - all of June's drawings include a rock/pop star of my choosing and a little feathered friend. Check out more at www.martinvarennescooke.com
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
It's Easter weekend, Passover, which means spring! Time to buy flowers plant gardens and enjoy this wonderful time of year.
pen, ink, watercolor, colored pencil on arches 140 gram hot press cotton rag paper.
(Black biro on a 75mm x 125mm notecard) A juxtaposed image of a comic book type image with an unrelated speech caption. The type of thing you tend to hear from those on their mobile phones on buses.
(fineliner pen on the back of a 55mm x 85mm business card) I accidently shredded this piece. It was a nice little drawing on the back of a business card, so it was annoying to lose it.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
I spilled a little paint on this leather scrap so I figured why not paint something on it? It’s kinda hard bringing a ‘possum to life on paper because they’re so silly and dumb in a cute sort of way, I think I managed to capture this guy’s personality alright..
This coloured drawing I was working on for the past few days, wasn't very successful as I failed to properly bring the elements together. A few mistakes were made along the way, even if I managed to compensate for them quite a bit. But yea... There were a couple day's worth of journaling done on this one as I tried to make it a learning lesson.
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
