Finally finished! This project took many long hours (about 8-9) and reduced my brand new 6B pencil to nothing but a tiny stub... “Black Gold” is done in graphite on 80 lb drawing paper. If you are interested in prints please contact me via my website.
Seemingly trapped indoors and inside your head indefinitely, the possibility of living a normal life after COVID seems like a fevered dream. Still one of my favourite drawings from 2020 and a technique breakthrough. Ballpoint Pen on Archival 8.5" x 11" paper
"There's a North in us all, but my North can't hold me anymore." Oh man, what a day/week/month it's been. Today was the end of first semester, a bit hard to believe half the year is gone, a bit hard to believe we still have half of a year left. The past 24 hours have been nothing less than mental chaos (maybe my coach was foreshadowing all of this when he asked if I was ok last night...) Anyway, here I am, here we are. Llemette on the left (name credit to Josefina), February journal on the right.
Imagining a better future in the time of COVID isolation seems like a fevered dream.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper
The challenging thing with just using pen is that I can't paint over a mistake. I usually redo a face more than once. I didn't mean to make their face so stoic, it makes them look like a statue.
Completed my first commission of the year — inspired by my Dream Tree mural in Bristol, for a couple from the neighbourhood who walk by the mural nearly every day
Pink tulips on toned tan sketch paper. This was my first time burnishing. I used the toned tan paper so that I could better see the effects of burnishing with a white pencil. I used Prismacolor soft core pencils.
I've been seeing lots of new bird species around my neighbourhood, like robins and magpies!
I like to think this bird is watching me from the sea of uncertainty, and looking at all the things I will create in the future and secretly telling me to go on, without me knowing how they will turn out. And strangely, that is some kind of motivation for me. : .
This is the other half of Return of the Polar Bear, a drawing in my moleskine. It is after Pieter Bruegel the Elder, an artist from the 16th century. I began it as a way to try out his intricate use of line and hatching. The subject matter altered some along the way - his etching didn't have any animals, and of course mine had to be all about the animals. I also simplified. It turned out to be a wonderful lesson.
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
Man oh man, it's been a week. The chaos is strong with this one. It was really fun to draw this, there's something so calming about shading with graphite; it felt like the only time I was present this week. But hey, I suppose that's why art is here. As a side note, thank you so much for 70 followers! It's truly incredible to part of an amazing community of artists, and I genuinely appreciate everyone's support and feedback. Here's to creating more art!
Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
