Needing to get out of the house, I walked down the street to the antique shops that are right around the corner from my house and did some urban sketching.
I have a hard time trying to decide what my "style" is. This comes closest I think. Plus I LOVE drawing chickens. These are two of my own grumpy ladies.
christmas ‘24 destination spent with my people - thankful for the few days of quality family time, endless memories made, the many many laughs, and the beautiful view we were blessed with from our airbnb! enjoy a little watercolor I did while there, a breathtaking view from the Ozarks!
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
