I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
I call this work Lost Koi because I painted it in the 1990s. Gave the original to a friend who was terminally ill and thought I would never see it again. Then I found it on a old computer. I had to work a lot with the image. I hope it loads.
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Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.
I find it awe-inspiring to watch crewed shuttles launch. This 3.5" x 4.5" acrylic on custom tiny canvas captures those first few moments after lift off. I used modeling paste to really emphasize the depth of the dust cloud, and I love that it adds a tactile element to it.