I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
When frustrated to the core and you wait for the one and only day, December the 14th,time goes slower than the usual and you can't do anything about it.
The idea for this portrait came to me when I was looking at a packaging of soap - it was very glossy and it looked like it could look like pearls. As well as the soap packaging, I used white ink mixed with acrylic paint (for opacity) on black paper.
India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
One of the most difficult practices is being ready to accept anything and everything that comes, without judgement, staying in the moment with our experience. This is a powerful practice. I tried to express some essence or feeling of it.