Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
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Artwork on paper. Pen, graphic pen, coffee and watercolor. Part of the Hybrid Mythologies series. Inspired by different mythologies and stories, this series is an intuitive exploration and associative drawing project with multiplicities of scenes inside each other.
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
