Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
A3 format, acrylic, mixed technique
We sat around the campfire, talked about everything a bit when someone asked:
- Can you tell us your thoughts about death?
Old Bone is pulled pipe from the backpack, filled it with tobacco and lit. We have been waiting patiently for the response of this unusual being, deep age, and great living experience.
- Everyone would like to know the truth about death, whether it is the full end of life or a new beginning, " said Old Bone - It is wiser to ask questions about life, the purpose of life, and keeping the spark. Truly, few are looking for the truth about life. I believe that with only the complete knowledge of life, one can perceive what is happening after death.-
- How to explain the messages of the dead through the media, learning religions about reincarnation, heaven, and hell, eternal life, testimonies of survivors of clinical death?
- Fraud and delusions, speculation - calmly replied Old Bone - You must know one thing: there are doors between life and death, The Door Keeper will never let the living know what happens after death. The secret of death only he knows - and that's enough. I think life can only survive this way.
Français : Réalisation du portrait de @Anissa Arfaoui dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Anissa Arfaoui as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr
Réalisation du portrait de @Valérie Maurice dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
This is a happy accident. The evening sky was the accident that the paint bucket tool filled most of the sky. This was March of robots Month daily challenge.
First one is a random doodle, I need to finish. 2nd doodle is an Oomkin (Or Boomkin) very happy and thrilled to get a lot of food. Third doodle is of an owlbear.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
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