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This is a commissioned doodle illustrating someone’s dreams. This was drawn with a fineliner on A1 paper with no pencilling or pre-planning. As you can tell!

Archer & Olive A5 Dot Grid

Dot grid paper and pen

I start to create more drawings with colors

Pen & ink on Bristol

Originally done in watercolor on watercolor paper and filtered digitally afterward.

Inspired by the tides at Jologo Beach on the Dampier Peninsula where Soldier Crabs create their homes, leaving little balls of sand around the entrance to their home.

A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P

Just some drawings that I wasn't sure about posting or not. They did not come out bad but not amazing either.

Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.

A different kind of mouse than I normally make. I am taking a year long class w Danielle Donaldson and we work on a different animal each week.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

Done in Pen and Ink and Black watercolor.

Ink on paper

Look familiar? This drawing was inspired by the film Hellraiser.

This was another tree doodle done with an ink dip pen.

No peaking, and the experience is more valuable than the product.

Improvising a thing or two centred around krakens and all things cephalopod flavoured :)

Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.

I did this mostly from the imagination.The perspective is a bit off,but I still like it. Its of a peat bog in Ireland. A peat bog is similare to a marsh except the mud or soil solidifys, and then it can be cut for fuel.

Four legs good, two legs bad.

In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia 11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper. Signed by the artist. Unframed.

In the language of alchemy, two primal essences- one burning, one volatile.

NIghtly BIC ballpoint pen doodles while watching the news. These are drawn on light weight construction paper. The reference drawings are from the book Humans of NY.

I like this guy! Illustrated portrait resulting from my illustration printmaking techniques demo video. Inked up a piece of plexiglass and had some fun. Monoprint (or is it a monotype) + Adobe Fresco for the color finish.

Yesterday, I was drawing during the Metropolitan Opera's daily streaming. My husband, Mike came by and looked dumbfounded. "Samson and Delilah inspired THIS subject matter?" Walked off shaking his head. We have a good laugh!