Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
A 4x6" colour sketch of Sgwyd Gwladys in preparation for a much larger piece. Sgwyd Gwladys is a beautiful waterfall - one of many on the Neath 'Waterfall Country' walking route starting in Pontneddfechan.
A birthday card I drew for my partner not long after we first met. The dog is her Labrador, Jack looking over a slightly artistic licence version of Ystradgynlais.
A friend commissioned me to redraw a small inktober doodle into a 11x17 version. Pen and ink with black watercolor. Does my larger version still have the same lighthearted feel as the original doodle?
This began as a study of armour. While researching women’s armour , I was annoyed by how sexualised the images were. The women were all beautiful, sexy and usually scantily clad. This seems so stupid. What good is armour that doesn’t cover your most vulnerable parts? So I set out to draw a more realistic warrior, strong and sturdy, suitably clad for the fight.
The fruit is good for nothing.
 frúcta não vôs ôu lhe serve.
"English as She is Spoke" by Jose da Fonseca and Pedro Carolina.
I adore "Rejected" cartoon by Don Hertzfeldt. I am sure you have all seen it, but if not, look it up. And thank me later. Unless you hate it. Then thank me anyway for broadening your taste.
