I overheard the term ‘feeding the muse’ after what felt like an age and two halves at some point this week, so I figured I’d utilise it as a source of inspiration (and corrupt it in the name of art) somehow...
Not really Keith Richards or Ronnie Wood but...either would do. Technical pen on 18x24 illustration board. I was buying a lot of illustration board back then...Late 70's?
Club XXS was exposed at a music festival in the netherlands and used as a mini club, with dj booth inside and a line-up! :) It's my biggest doodle till now and it was amazing fun to do! my focus was allready on trying bigger stuff, so then a chance came by to do this huge caravan. Awesome.
I am interested in connection between a human and an animal. This unique, individual emotional, almost telepathic connection that is so abstract that only art could possible be bale to materialize it . ..like another different universe...
Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
One of my favourite series. I'm trying to strike the right balance between the abstract and the realism, and I think I try to do that through my use of colours. It's the most rewarding feeling when you use unexpected colours and they come together somehow! Acrylics, watercolour pens and posca markers.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
