Wee watercolour sketch of Donkey Orchids from the forest near Greenbushes.
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Inspired by the tides at Jologo Beach on the Dampier Peninsula where Soldier Crabs create their homes, leaving little balls of sand around the entrance to their home.
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Taking a break from the abstract to sketch the Grevilleas growing in the backyard.
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I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
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A rainy day looking out the studio. It seemed appropriate to use water colour and pen.
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A quick sketch of the Lilly Pilly tree in the garden. It has edible purple fruits that are just ripening. Looking forward to making them into jam.
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A experimental combination of abstract, geometric lines with organic shapes of gum leaves. Pen, watercolour and masking fluid.
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A little watercolour of a daffodil from the garden.
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Testing out new processes printing leaves using block printing ink.
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Drawing of leaves and nuts from the Marri tree, found in the Southwest region of Western Australia. This majority of trees that surround my property are the Marri from the Myrtaceae family is endemic to this area. They grow upwards of 40 metres and are a favourite food to the protected Red-tailed Black Cockatoo.
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Many people walk past plants either without noticing them or with just a glance. For the Walmajarri people in the Kimberley region of Western Australia, and many other Indigenous groups, plants provide a source of food and medicine. These outlines are of plants that are used by Walmajarri people as either food or medicine. For most people they remain a mystery, hence the outline only.
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A drawing-in-progress of native flora near my home and in my garden. The Lilly Pilly fruits will be made into jam while the Grevilleas provide food for the bees.
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My first attempt at a concertina birthday card. While simple to make, it can be a bit fiddly and getting the proportions and placement of objects right for each layer is important so that everything can be seen once the layers are overlapped. It reminds me of printing processes, where each layer is gradually added. It was quite an enjoyable process.
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The forest nearby is full of baby banksias growing in poor gravelly/sandy soil which they do better in. The little one was growing on the edge of a gravel road.
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This Banksia nut was found in southern Western Australia, one of the many varieties of Banksia found in Australia.
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One in a series of works using line that will be used as a background.
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Continuing to make works that create feelings of movement using line.
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It wasn’t intentional but now I can’t unsee two birds.
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The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
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Watercolour painting of a Prickly Hakea. I started drawing different plants last month from the area where I live. This month I am turning them into watercolours, with the Hakea being one of the first.
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